While I came for the Dillinger Escape Plan, I stayed for Mastodon. In contrast to Dillinger's frenetic performance, Mastodon laid a more smoldering intensity for their headlining set, which, as always, was a thrill to shoot.
- Nikon D3
- Nikon D700
This was pretty much a one-lens, one-camera shoot. ISO 3200 did the trick for the saturated but not overly-bright bright LEDs.
I gotta say, this set is just a teaser. If you're a fan of Mastodon, I feel like it's my duty to tell you that their Terminal 5 set was on another level of awesomeness, if only for the much larger stage and venue as a whole.