Second at bat before Daughtry, alt-rockers Lifehouse were a quick and clean shoot thanks to spotlights and a nice balance of accent lighting.
Photographer's Notes:
Before the restriction of no movement around the ramp was handed down, I shot Lifehouse and had two songs and freedom in the pit to make it happen.
This was a pretty straight forward shoot, with a good amount of light from the spotlights mixing with just enough backlighting to keep things interesting.
I shot Lifehouse's set with the 24-70mm f/2.8 and 70-200mm f/2.8, with the latter being especially useful for singer Jason Wade.
