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	<title>Comments on: Choosing Lenses for Concert Photography</title>
	<atom:link href="http://ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/feed/" rel="self" type="application/rss+xml" />
	<link>http://ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/</link>
	<description>Music Photography, band portraits and promos from professional music photographer Todd Owyoung</description>
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		<title>By: Agung H. Wirawan</title>
		<link>http://ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-119660</link>
		<dc:creator>Agung H. Wirawan</dc:creator>
		<pubDate>Tue, 10 Aug 2010 10:50:03 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-119660</guid>
		<description>&lt;span class=&quot;topsy_trackback_comment&quot;&gt;&lt;span class=&quot;topsy_twitter_username&quot;&gt;&lt;span class=&quot;topsy_trackback_content&quot;&gt;Thought you should buy 50mm lens, pr maybe you have to read it first before buying a new glass http://bit.ly/czF2Nk @OlovL&lt;/span&gt;&lt;/span&gt;</description>
		<content:encoded><![CDATA[<p><span class="topsy_trackback_comment"><span class="topsy_twitter_username"><span class="topsy_trackback_content">Thought you should buy 50mm lens, pr maybe you have to read it first before buying a new glass <a href="http://bit.ly/czF2Nk" rel="nofollow">http://bit.ly/czF2Nk</a> @OlovL</span></span></span></p>
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		<title>By: Vincent</title>
		<link>http://ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-119294</link>
		<dc:creator>Vincent</dc:creator>
		<pubDate>Sun, 08 Aug 2010 15:57:00 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-119294</guid>
		<description>I use the Nikon D3000 and I like it a lot but the pictures come out way too grainy. I am saving up for a lense as I typoe this but it&#039;s not an easy task. I mostly take pictures for a zine that I put out and really enjoy this. I see other photographers using flashes that extend out ward and don&#039;t flash the light directly onto the performers. Can you explain the reason or point me to a site that can. I have no idea what these do or why. How much would a set up like this cost. 
Thanks for your time
Vincent</description>
		<content:encoded><![CDATA[<p>I use the Nikon D3000 and I like it a lot but the pictures come out way too grainy. I am saving up for a lense as I typoe this but it&#8217;s not an easy task. I mostly take pictures for a zine that I put out and really enjoy this. I see other photographers using flashes that extend out ward and don&#8217;t flash the light directly onto the performers. Can you explain the reason or point me to a site that can. I have no idea what these do or why. How much would a set up like this cost.<br />
Thanks for your time<br />
Vincent<br />
<span class="cluv">Vincent´s last blog ..<a href="http://vincentpghpa.bigcartel.com/product/long-time-coming-music-fanzine-issue-2">Long Time Coming Music Fanzine issue 2 &#8211; 200</a></span></p>
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		<title>By: Todd</title>
		<link>http://ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-111645</link>
		<dc:creator>Todd</dc:creator>
		<pubDate>Wed, 23 Jun 2010 18:59:34 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-111645</guid>
		<description>Hi Jewelie, 

It really depends on how close the band is going to be to the stage, but something like a 17-55mm for your 50D would most likely be good for front-of-stage performers. 

4-5 songs (or even 3 songs) is fine for switching lenses – you just have to practice. If you have your lenses ready (caps off, in an easy place to grab in the bag), you can change lenses in just a few seconds.</description>
		<content:encoded><![CDATA[<p>Hi Jewelie, </p>
<p>It really depends on how close the band is going to be to the stage, but something like a 17-55mm for your 50D would most likely be good for front-of-stage performers. </p>
<p>4-5 songs (or even 3 songs) is fine for switching lenses – you just have to practice. If you have your lenses ready (caps off, in an easy place to grab in the bag), you can change lenses in just a few seconds.</p>
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		<title>By: jewelie</title>
		<link>http://ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-111643</link>
		<dc:creator>jewelie</dc:creator>
		<pubDate>Wed, 23 Jun 2010 18:55:43 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-111643</guid>
		<description>Hey Todd, 
Your website has been immensely helpful to me.  I recently bought a Canon EOS 50D D-SLR and have an chance (and the photo pass) to shoot an opening act for a HUGE band.  It is in a large ampitheater, but since they are the opening act, they won&#039;t have all of the crazy lighting.  I am under a tight budget unfortunately, but this is a big opportunity for me.  I need to know what kind of lens will really do the job to get all the shots I need.  I only have the one camera and I won&#039;t have time to be switching lenses since they are only playing 4-5 songs.  I just felt I needed really specific guidance so I get this right!!! Thanks.</description>
		<content:encoded><![CDATA[<p>Hey Todd,<br />
Your website has been immensely helpful to me.  I recently bought a Canon EOS 50D D-SLR and have an chance (and the photo pass) to shoot an opening act for a HUGE band.  It is in a large ampitheater, but since they are the opening act, they won&#8217;t have all of the crazy lighting.  I am under a tight budget unfortunately, but this is a big opportunity for me.  I need to know what kind of lens will really do the job to get all the shots I need.  I only have the one camera and I won&#8217;t have time to be switching lenses since they are only playing 4-5 songs.  I just felt I needed really specific guidance so I get this right!!! Thanks.</p>
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		<title>By: Kal</title>
		<link>http://ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-110579</link>
		<dc:creator>Kal</dc:creator>
		<pubDate>Mon, 14 Jun 2010 15:51:15 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-110579</guid>
		<description>I&#039;m still using crop-sensors so the 50mm f1.4 really is my favourite lens. I&#039;m also still sneaking my camera into shows and shooting from the crowd so with the 50mm effectively giving me 75mm in a compact enough size to be gig-sneakable while giving me enough reach to pick out features of the individuals on stage, it&#039;s absolutely perfect.

Kal</description>
		<content:encoded><![CDATA[<p>I&#8217;m still using crop-sensors so the 50mm f1.4 really is my favourite lens. I&#8217;m also still sneaking my camera into shows and shooting from the crowd so with the 50mm effectively giving me 75mm in a compact enough size to be gig-sneakable while giving me enough reach to pick out features of the individuals on stage, it&#8217;s absolutely perfect.</p>
<p>Kal<br />
<span class="cluv">Kal´s last blog ..<a href="http://www.flickr.com/photos/somethingforkate/4699045404/">Excited by the fence</a></span></p>
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		<title>By: Richard Gailey</title>
		<link>http://ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-106761</link>
		<dc:creator>Richard Gailey</dc:creator>
		<pubDate>Tue, 30 Mar 2010 19:52:17 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-106761</guid>
		<description>&lt;span class=&quot;topsy_trackback_comment&quot;&gt;&lt;span class=&quot;topsy_twitter_username&quot;&gt;&lt;span class=&quot;topsy_trackback_content&quot;&gt;Choosing Lenses for Concert Photography &#124; ishootshows.com http://bit.ly/a4Ttax If you’re just starting out with gig photography, here are a.&lt;/span&gt;&lt;/span&gt;</description>
		<content:encoded><![CDATA[<p><span class="topsy_trackback_comment"><span class="topsy_twitter_username"><span class="topsy_trackback_content">Choosing Lenses for Concert Photography | ishootshows.com <a href="http://bit.ly/a4Ttax" rel="nofollow">http://bit.ly/a4Ttax</a> If you’re just starting out with gig photography, here are a.</span></span></span></p>
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		<title>By: Todd Owyoung</title>
		<link>http://ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-106762</link>
		<dc:creator>Todd Owyoung</dc:creator>
		<pubDate>Tue, 30 Mar 2010 04:48:43 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-106762</guid>
		<description>&lt;span class=&quot;topsy_trackback_comment&quot;&gt;&lt;span class=&quot;topsy_twitter_username&quot;&gt;&lt;span class=&quot;topsy_trackback_content&quot;&gt;@ConcertMoments This is my general gear guide – &quot;Choosing Lenses for Concert Photography&quot;: http://bit.ly/dtKZlV&lt;/span&gt;&lt;/span&gt;</description>
		<content:encoded><![CDATA[<p><span class="topsy_trackback_comment"><span class="topsy_twitter_username"><span class="topsy_trackback_content">@ConcertMoments This is my general gear guide – &quot;Choosing Lenses for Concert Photography&quot;: <a href="http://bit.ly/dtKZlV" rel="nofollow">http://bit.ly/dtKZlV</a></span></span></span></p>
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		<title>By: analog_</title>
		<link>http://ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-93456</link>
		<dc:creator>analog_</dc:creator>
		<pubDate>Sat, 20 Mar 2010 18:19:56 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-93456</guid>
		<description>The Tamron 28-85 F/2.8 is also a nice economical solution.</description>
		<content:encoded><![CDATA[<p>The Tamron 28-85 F/2.8 is also a nice economical solution.</p>
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		<title>By: zepouet</title>
		<link>http://ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-92598</link>
		<dc:creator>zepouet</dc:creator>
		<pubDate>Tue, 16 Mar 2010 10:21:19 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-92598</guid>
		<description>Hello Todd,

I have a simple question about 24-70 f2.8 and 70-200 f2.8.
I am dreaming to buy one of these two jewels. Therefore the 70-200 is too expensive for the moment and I wonder if 24-70 is good for portrait.
I imagine it is really good for full portrait (from foot to head) but for rear portrait ? Can we have a good bokeh with a focale about 70 ? 

My beauty dish is ready. I am waiting to receive external flash (YN-460) to complete my local studio :-) Thanks for the tutorial !

Best regards, Nicolas</description>
		<content:encoded><![CDATA[<p>Hello Todd,</p>
<p>I have a simple question about 24-70 f2.8 and 70-200 f2.8.<br />
I am dreaming to buy one of these two jewels. Therefore the 70-200 is too expensive for the moment and I wonder if 24-70 is good for portrait.<br />
I imagine it is really good for full portrait (from foot to head) but for rear portrait ? Can we have a good bokeh with a focale about 70 ? </p>
<p>My beauty dish is ready. I am waiting to receive external flash (YN-460) to complete my local studio :-) Thanks for the tutorial !</p>
<p>Best regards, Nicolas</p>
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		<title>By: Jonathan</title>
		<link>http://ishootshows.com/2008/07/16/choosing-lenses-for-concert-photography/#comment-89712</link>
		<dc:creator>Jonathan</dc:creator>
		<pubDate>Mon, 08 Mar 2010 06:03:08 +0000</pubDate>
		<guid isPermaLink="false">http://ishootshows.com/?p=263#comment-89712</guid>
		<description>Todd,

Thanks for quite an informative review and article. 
I am considering getting a Canon 7D due to it&#039;s highly improved noise settings at ISO 1600 and up, and I wanted to see your thoughts on a kit lens for such a camera in a concert setting. The kit lens is a f3.5/5.5 28-135mm. Pretty decent for a crop body, not as wide as I&#039;d like (I like to get pretty close), but it&#039;s a good starting point. 

Do you think that it would be better for me to invest in a less powerful body (50D or so), and get some faster glass? Personally, I feel that the flexibility I would get from the 7D&#039;s low noise and RAW settings would be sufficent for general purpose (and some concert) work with the kit lens. I dont currently do a lot of concert photography, but I do think I will start once I get my DSLR. 

I also have an assortment of vintage primes from the 80s that I am considering using... I&#039;d have to go through an Olympus to EF converter, but already having some 1.8 glass is pretty nice. (although no auto focus, and metering i&#039;d have to do manually...)

What do you think?</description>
		<content:encoded><![CDATA[<p>Todd,</p>
<p>Thanks for quite an informative review and article.<br />
I am considering getting a Canon 7D due to it&#8217;s highly improved noise settings at ISO 1600 and up, and I wanted to see your thoughts on a kit lens for such a camera in a concert setting. The kit lens is a f3.5/5.5 28-135mm. Pretty decent for a crop body, not as wide as I&#8217;d like (I like to get pretty close), but it&#8217;s a good starting point. </p>
<p>Do you think that it would be better for me to invest in a less powerful body (50D or so), and get some faster glass? Personally, I feel that the flexibility I would get from the 7D&#8217;s low noise and RAW settings would be sufficent for general purpose (and some concert) work with the kit lens. I dont currently do a lot of concert photography, but I do think I will start once I get my DSLR. </p>
<p>I also have an assortment of vintage primes from the 80s that I am considering using&#8230; I&#8217;d have to go through an Olympus to EF converter, but already having some 1.8 glass is pretty nice. (although no auto focus, and metering i&#8217;d have to do manually&#8230;)</p>
<p>What do you think?</p>
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