“This is a new song I haven’t recorded yet,” the singer said, introducing the next song, to which a member of the audience replied, “We like it anyway!” And so it was: the night Feist could do no wrong.
Fresh from her sweep of the Juno Awards last week, Canada’s most charming cultural export of the new century played to a sold-out house in a powerhouse performance that not even a cold could diminish.
Sipping tea in between songs, Feist led her backing band through a soulful and thrilling set, bathed in a deep wash of blues, reds, and magentas throughout the night.
Highlights of the set included the expected “One Two Three Four,” “Brandy Alexander,” and the encore performance of “Sea Lion Woman,” whose blues-rock riffing came with an indulgent rawness that gave a new immediacy to the fan favorite.
Photographer’s Notes:
Arriving at the venue, I did a quick survey and saw that the barricade was pushed out from the stage just enough to provide a little bit of a buffer, but not enough for any sort of proper pit. A quick check with the floor manager confirmed that there was no pit for the evening.
Thus, the options were this: kick back and snap from the seated area stage right where my friends were camped out, or pack in and grab a piece of rail.
Needless to say, I choose the latter. A man’s gotta try, right?
Multiple computer-controlled spots were positioned around the stage, including the front, which did block sight-lines, and given the situation, I knew picking the right spot would be essential for the concert. I staked out a spot just stage left, and I think this was overall a good decision that provided the most unobstructed view of the right-handed singer.
Lighting:
Lighting for this show was almost 100% single-color washe, particularly on Feist herself. Red, blue, and magenta treatments dominated and changed with the songs.
The introduction of a little white backlighting created some tonal separation, but certainly was not a dominant accent for the performance.
From a non-photographic standpoint, the use of the mirrorball was used to fantastic effect and created some lovely compliments to the set list.
Exposure:
Due to the constancy of the color washes, I shot at a fairly regular range of exposure: f/2.8 and 1/250 at ISO 1600 did the trick in most cases. The most tricky aspect of the exposure was not blowing out any one color significantly, which, considering the monochromatic treatments, was no easy task.
Underexposure was essential in most instances to create tonal separation and preserve what gradations there were.
Lenses & Equipment:
I shot with the Nikon D3 and the Nikon 70-200mm f/2.8. The range of the telephoto was generally perfect for this set, and I never itched for the 24-70mm or 14-24mm in that were also in my bag. Due to the limited sight lines, with monitors and lighting equipment on stage, a wider angle was never really an option for clean compositions.
End Notes:
This is not a photographer’s show, per se, but there certainly opportunities present if you want your shot at (and of) Feist. If you’re intent on shooting, get there early, bring your telephoto, and grab some rail/stage.
Otherwise, this show is not to be missed if you’re a fan. Photo credentials or not, guestlist or not, this is one gig I’d pay to see.
12 Comments Add your own
1. Ami | April 15th, 2008 at 1:41 am
Gotta love ‘em Canadians!
I especially like the second shot featured in the article’s body.
Question for you (another one!)–are these photos only being published on ishootshows or do you occasionally work for a publication?
2. Todd | April 15th, 2008 at 2:26 am
Hey Ami – believe me, we do love Canadians. This show sold out weeks ago.
Thanks for your pick out of the set, I thought the blue-red color contrast had some pop.
I do shoot for other outlets, but I always try to publish here on ishootshows.com as well.
3. Brett | April 15th, 2008 at 2:46 am
How exactly does GuestList benefit a concert photographer? Wouldn’t you need/want to have credentials confirmed before the show and wouldn’t that preclude the need for a service like GuestList for you?
4. Todd | April 15th, 2008 at 3:02 am
Brett, guestlist benefits me because it grants me a ticket. I do need credentials to shoot, but the standard setup is guestlist in addition to a photo pass. The reason for this is that, depending on the show and venue, credentials by themselves do not always grant access. Often, the ticket (via guestlist) is necessary; it is always welcome.
5. seb | April 15th, 2008 at 3:25 am
Hi Todd,
I was waiting for you to shoot this show, I love her since I heard her sing with Gonzales.
Can I ask you which plugin you use for the photos shown on the bottom of this post ?
BTW, I’m following your advices for making myself a photoblog/portfolio. they are so helpful.
Thanks
6. Todd | April 15th, 2008 at 8:37 am
Hey Seb, glad you saw these images. Funnily enough, I shot José last month.
I use a plugin called Crossroads, which talks to Flickr to pull images from a set or collection. Crossroads itself offers the option of using several different javascript plugins to display the images, and I’m using Highslide.
Please send me a link to the site when you put it up, I’d like to check it out. Let me know if I can help with anything else.
7. tom | April 15th, 2008 at 9:24 am
I love the expressions you captured, and I too really dig the second shot.
8. Todd | April 15th, 2008 at 9:41 am
Hey Tom, thanks for stopping by, it was great to see you at the show and meet your wife. For gigs like this, when the situation is highly limited (in this case by light and positioning), I find that gesture really plays a big part.
Glad you saw the images, we’ll have to catch another show soon.
9. Neetu | April 15th, 2008 at 3:22 pm
Ohh my love! This show was so incredible it was hard to breathe. And you’ve captured everything wonderful about her so well! Fantastic!
10. Todd | April 15th, 2008 at 4:27 pm
Glad to hear these images capture her for you, it was a treat for the ears. My favorite part of the show was when Feist was doing air guitar to her own looped track on “Honey Honey.”
11. Seb | April 15th, 2008 at 5:59 pm
Hey Todd,
to many Gonzales around, I thought about this one, BTW he’s a great performer, if you have an opportunity to picture him don’t miss it
http://www.myspace.com/gonzpiration
I’ll email you my portfolio as soon as it’s ready to be seen.
Thank you
12. Hayden @ the Pageant R&hellip | April 23rd, 2008 at 7:11 pm
[…] for Feist in a sold-out performance, singer-songwriter and fellow Canadian Hayden crafted a quietly insistent […]
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